Zachary Mason's latest single, "Sweetheart," has an assured sense of drama, like a story that knows when to whisper and when to roar. The track opens with a gentle tune, welcoming the listener to its emotional core before gradually tightening around it. It's built on rock music, but it sounds very '80s. The song unfolds at a nice, slow pace, leaving a payoff that feels earned rather than force-fed.
As "Sweetheart" progresses, the silky noise at the outset morphs into a crunchier, snappier sound. The guitars are sharper, the rhythm is stronger, and the song fully embraces its rock nature without losing any of its melodic clarity. Mason strikes a power-and-restraint balance that keeps the song driving without letting purpose spin away, and though there's some Dead-like noodling here, I don't mind it amid all the music.
"Sweetheart" celebrates love and the strength of relationships, and doesn't drift too far into abstraction, it remains grounded and honest, using a classic rock expression to get at big feelings. The song has a blissful, awe-stricken quality that feels uplifting even as the instruments grow in intensity and volume.
The level of musicianship in the back of the release also makes it that much stronger. John Thomasson plays bass and is a frequent collaborator with Little Big Town, having played on Grammy- and Emmy-winning songs. He provides depth and authority on the low end. Rose Hill Drive member Nate Barnes composed the drums for the song. His rhythmic choice turbocharges the song's momentum. "Sweetheart" is a slick, anthemic rock single that highlights emotional storytelling over stadium-sized energy.

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