Sody lets her heart ablaze in album "THE HELL OF APRIL"

 London-based singer Sody rises from the flames of heartache and recovery with her highly anticipated debut album "THE HELL OF APRIL". Borne out of two-and-a-half emotionally charged years, the 13-track offering is a candid reckoning and powerful rebirth, evidence of Sody's growth as a songwriter, artist, and storyteller who gives herself wholeheartedly to every track. Surrounded by an all-star producer squad, including Dylan Nash, Scott Effman, and Tom Jordan, among others. With a rotating cast of well-respected co-writers, Andrew Tufano, Lauren Aquilina, Miya Folick, and Sody, the album is deeply confessional but universally relatable. 

The bittersweet anthem "bad news" crackles with amused defiance, while "looking for You" captures the chaotic beauty of attempting to move on, doing all the things you're supposed to after a breakup and realizing nothing is helping. Its breezy nature masks a more profound hurt that will strike a chord with anyone who's tried to run from feeling and didn't make it. Then there is "boys come and go", the record's emotional center. Written with Riley Biederer and Scott Effman, it's a bare-knuckled piano ballad that hits hard. Sody's voice can break at the knees, trembling like only heartbreak teaches how. 

"Chameleon" flips the sounds completely with a pop hit about identity and authenticity that slaps. "It was never about the dishwasher" brings the album to a close, and there's a feeling of relief that you're free at last. "THE HELL OF APRIL" is a beautifully crafted exorcism, a reflection in the mirror for anyone who's ever loved, lost, and found themselves in the wreckage. Each track beats with raw emotion, a perfect merging of poetic openness and slick alt-pop production.

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